Stan Mosley

Daddy B. Nice's #25 ranked Southern Soul Artist



Portrait of Stan Mosley by Daddy B. Nice
 


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"Rock Me (Until I Cannot Stand This Rocking Any...)"

Stan Mosley

Composed by Frederick Knight


May 1, 2011:

In this blessed new age of YouTube music videos, in which at long last the obscure classics of Southern Soul music are being disseminated in their totality for everyone to hear. . .

. . .We can now add Stan Mosley's signature ballad, "Rock Me."

I don't think I've ever commented on how much the background singers contribute to the singular texture of the track. The arrangement of the background is perfect, too.

On the choruses it's like you have Mosley in the middle, the bass on the left, and the background on the right, all bouncing up and down in their different ways to the understated beat.

--Daddy B. Nice

Listen to Stan Mosley's "Rock Me" on YouTube while you read.

Daddy B. Nice's Original Critique:

Like so many worthy Southern Soul artists, Stan Mosley has recorded at least two songs of such incredible merit that it's almost impossible to choose between them. "Anybody Seen My Boo" is the more well known chitlin' circuit hit, and the one your Daddy B. Nice has personally played the most. But although it's more modest, a little slower, and perhaps a little less innovative, the Stan Mosley song Daddy B. Nice would take to a desert island is Mosley's "Rock Me (Until I Cannot Stand This Rocking Any More)" from The Soul Singer CD, Malaco, 1998.

Actually, "Rock Me's" roots go all the way back to the early days of Malaco Records, when Sam (not Stan) Mosley of the R&B songwriting team and performing duo Mosley and Johnson recorded the tune. That track and another, faster version by Stan Mosley himself can be heard on Malaco's compilation box set entitled The Last Soul Company (Malaco, 1999). But the definitive version is the slow-tempo, female-backed-up, personal and passionate rendition on Stan Mosley's The Soul Singer.

"One night after my show,
I was laying on, ready to go,
And in walked this lady,
Right through the door.
And she looked so pretty,
So pretty, pretty.
Ain't it a pity,
That she's not with me."

The words may look flat and weak on the page, yet "Rock Me" is a reminder that love exists in all its fascinating coincidence and tenderness--at least, it does to people as attentive to the world and spiritually "ready" for love as the song's hero and the "apple of his eye." Mosley uses bluesy, slow-jam, vocal inflections--perhaps first used on an obscure early track entitled "Makes You Wanna Cry"--to describe the inexorable progress of a man and woman falling in love.

"So I asked her,
If she wanted to dance.
She said, 'Stan, I'm not that good,
But I'll take a chance.'"

The composer of the song is Frederick Knight, the author of Johnnie Taylor's "Big Head Hundreds" and, more recently, Shirley Brown's "Sleep With One Eye Open." But Stan Mosley scored an even bigger Southern Soul hit with another Knight composition, "Anybody Seen My Boo" (Souled Out, Malaco, 2000). "Boo" was one of the genre's first and most successful attempts to push the boundaries of Southern Soul toward the up-tempo pace of rock and roll and the state-of-the-art arranging of hiphop.

Imagine a voice like Wilson Pickett's whipping a groove like Bobby Womack's "I'm Looking For A Love," and you've got some idea of Stan Mosley's rendering of "Anybody Seen My Boo." Yet it was also a consolidation of a classic soul sound that had disappeared with the demise of artists like Junior Walker & The All Stars and Sam & Dave.

As it turned out, "Anybody Seen My Boo" has had a considerable impact. It's considered one of the best "jams" in Southern Soul. And listening to the sincerity of "Boo" or the humility of "Rock Me" makes the music fan delight in their refreshing contrast to hiphop's tiresome "fronting". And yet, all the time it's happening musically too, with the same masterful arrangements over the same creative, undulating bass lines.

Contrast that energy with the slow, burning desire in "Rock Me (Until I Cannot Stand This Rocking Any More)," and you just about have it all in Southern Soul music.

"'Rock me, baby,
You don't have to rush it,
It's all yours,
Go on and touch it.'"

It's all in the expressive vocals of Mosley, of course. As a fan, you hear this marked simplicity--this lack of attitude--in the perfectly expressed lyrics, and tears of gratitude practically well up in your eyes. And you think, "Thank you, Stan. 'Rock Me' is the kind of music I want to hear for the rest of my life."

--Daddy B. Nice


About Stan Mosley

Stan Mosley was born in 1952 in Chicago. In 1974 he moved to East St. Louis, IL. and joined a group named The Sharpees, which later toured as a back-up band for Shirley Brown.

In 1976 Mosley returned to Chi-town, and he spent years performing on the city's extensive club circuit, garnering the Chicago Music Award for Best Male R&B Vocalist two years running (1982 and 1983). By the mid-eighties, however, like so many of his R&B peers, he found the climate for adult R&B too hostile to continue.

The turning point in his career came in the mid-nineties, when he began performing again as an opening act for Cicero Blake, for whom he also toiled as a valet/driver. That eventually took him to Malaco Records, where Tommy Couch, Sr. was so impressed with Mosley's demo tape that he immediately signed him to a contract.
Three landmark CD's resulted, one each in 1998, 2000, and 2002.

In addition to "Rock Me" and "Anybody Seen My Boo," Stan Mosley scored Stations of the South radio hits with 1998's "Ain't No Woman (Like The One I've Got)" (Souled Out) and 2002's "No Mistake" (Do Right), both on Malaco.

In 2003 Mosley moved to New Orleans-based Mardi Gras Records, where he put out one album, Good Stuff.

In 2007 he releasead Steppin' Out on independent label Double duo.

Here is the Stan Mosley discography:

1998 The Soul Singer (Malaco)

2000 Souled Out (Malaco)

2002 Do Right (Malaco)

2003 Good Stuff (Mardis Gras)

2007 Steppin' Out (Double Duo)

2008 Man Up (CDS)


Song's Transcendent Moment

"Rock me, baby,
Like you never rocked a man like me before.
Rock me, baby,
Until I cannot stand this rocking any more."


Tidbits

1.

April 14, 2008. Regarding Stan Mosley's single "Man Up" (from the album of the same name): your Daddy B. Nice had never heard anyone use the phrase "man up" in casual conversation until the other night, when I happened to tune into WWE's "Friday Night Smackdown" on the TV.

The verbal jawing between the wrestlers is often more entertaining than the actual matches. 280-pound, barrel-necked Batista was "fronting" with longtime, 200-pound ring favorite Shawn Michaels. Retorting to one of Batista's barbs, Shawn Michaels said, "Let me MAN UP with you right now." (Caps mine.) The meaning was: "Let me level with you, big guy."

"Man Up" update, 4-16-08: Okay, the phrase "man up" is busting out all over. The front page of the "Rocky Mountain News" for April 16 has a full-page picture of NBA star Carmelo Anthony, after an arrest for DUI, standing at a podium with Allen Iverson in the background. The headline reads: "I'M GOING TO MAN UP". The headline is taken from Melo's quote: I'm going to man up to my mistakes." DBN

2.

April 14, 2008. In "Backbone," one of the new singles from his Man Up CD (written by Floyd Hamberlin Jr.), Stan Mosley sings:

"Girl, I heard that Theodis song,
Talking about 'stand up in it,'
And I heard another song today,
'I'm going to make your monkey talk.'"

Every self-respecting Southern Soul fan knows the former song, Theodis Ealey's classic, "Stand Up In It." But what song is Stan Mosley referring to in the last two lines?

The answer is Stephanie McDee's "Monkey Talk," from the Avanti album Living The Blues (2002). It has a punching rhythm track, a brash vocal, and an arrangement with just the right mix of humor and pizzaz.

Stephanie McDee, on the basis of "Monkey Talk," was destined to be included in Daddy B. Nice's original Top 100 Southern Soul Artist Guides, but by the time your DBN had made it to the upper regions of the Top 100 Chart (a period of years in the writing), the McDee CD had already gone out of print and McDee had failed to produce any follow-ups. Thus, Stephanie never gained her moment in the SouthernSoulRnB sun. It's nice to see that her song is still on the minds of Southern Soul artists.

3.

Here is the way Daddy B. Nice praised
Nathaniel Kimble and his song "You Make Me Happy" in his "Best Songs Of 2007" (#18):

"This song by the always-getting-lost-in-the-crowd Kimble gets the Stan Mosley "Rock Me (Until I Cannot Stand This Rocking Any More)" award for the humility, tenderness and love of the simple pleasures shining through its every syllable."

DBN

4.

May 31, 2008

I had a talk with Stan Mosley this weekend. Here are a few of the highlights.

I'd always assumed Sam Mosley (of Mosley & Johnson) was related to Stan. The duo was instrumental in Stan's career in the early years, when he was hooking up with Frederick Knight and Malaco Records. However, the last names are coincidental: they're unrelated, according to Stan.

5.

I long held a theory that the hiphop-like bridge that amps up the energy on Stan's classic, "Anybody Seen My Boo"--the one in which Stan calls out the nams of Johnnie Taylor, Marvin Sease, James Brown and Bobby Womack----bore the producing mark of Timbaland, the hiphop producer famous for his work with Missy "Misdemeanor" Elliot, among others. I always thought I heard the name Timbaland after Mosley shouted out Marvin Sease, and since Timbaland didn't "deserve" to be mentioned in the same breath with those Southern Soul masters, I figured the mention had to be in lieu of a songwriting credit or payment for that fantastic bridge.

Not so, Stan told your Daddy B. Nice. Timbaland had absolutely nothing to do with the record, which was produced in its entirety by esteemed Southern Soul songwriter/producer Frederick Knight (Johnnie Taylor's "Big Head Hundreds," Shirley Brown's "Sleep With One Eye Open," etc.) and Mosley.

There are three syllables after the "Marvin Sease" shout-out that sound like "Timbaland," but they're not. And now that I've gone back and listened to the bridge a few times, I still hear the phrase. Guess I'll have to go back to Stan and ask him exactly what he was saying right after his reference to Marvin.

6.

I asked Stan about his recent heart surgery and how he was recovering. He had an angioplasty at Mount Sinai in Chicago about a month ago and underwent post-operative procedures in Oak Park, near his home.

The rehabilitation has been an "experience" (read difficult), according to Stan, but the worst is over and he's on track to regain his health.

When his doctor asked him what he did for a living, and Stan replied that he was an entertainer, Stan half-expected the doctor to nod knowingly and condemn the musicians' life style.

Note that Theodis Ealey suffered a heart attack (and had "bypass" surgery, an even more critical procedure) a year earlier, and Reggie P. just had surgery for a heart attack a few days ago.

However, the doctor told Stan that in his case the entertainer life style had actually prolonged his ability to withstand a heart attack.

Although it wasn't related to the heart attack, Stan says one of the best things to come out of the crisis was that he finally gave up smoking cigarettes.

Stan's rehab continues on schedule. In fact, Mosley already has set a schedule to begin performing again. He leaves Chicago in early July to begin a new tour.

--DBN

Daddy B. Nice Postscript: June 17, 2008

Okay. Stan Mosley got back to me on the words in "Anybody Seen My Boo" that I heard as "Timbaland." The words were: "Tell The Man."
Stan shouts out "Marvin Sease" and then he says "Tell the man!" DBN

7.

May 30, 2008.

Man Up (CDS Records) is Stan Mosley's strongest CD since--well, you'd have to go all the way back to the turn-of-the-century Malaco albums: The Soul Singer, Souled Out, & Do Right.
Mosley and writer/producer Floyd Hamberlin Jr. have never sounded "tighter."

Both "Man Up," the title cut, and "Backbone" made Top Ten Single honors on your Daddy B. Nice's Southern Soul charts, but the CD is really more of an "album" album, with a texture and continuity that is unusual in soul music.

There are lots of pulsating beats and positive thoughts, with an undercurrent of restrained energy that forms a very complementary backdrop to Mosley's tortured, whiplash vocals.

Man Up is a strong signal that Stan Mosley is back with a vengeance, intent on re-declaring a chunk of Southern Soul turf for his own.

DBN

8.

Author's Update: September 4, 2008

It's interesting to compare songwriter/producer Floyd Hamberlin's work with Nellie Travis versus his work with Stan Mosley on Man Up . Hamberlin and Mosley click on the stupendous stomp-dance cut, "Man Up" (#2 DBN's Top 10 Southern Soul Singles for April 2008) and to a lesser extent on a couple of the other cuts ("Backbone," "I Came To Party"), but their professional match is not "made in heaven," as--so far--the Hamberlin/"Tiger" Travis connection is. Perhaps those rough, knife-cut hooks of Hamberlin's are too close to Mosley's own sandpaperish style, or maybe Travis just got the better melodies.

DBN

(The above piece ran on Daddy B. Nice's Corner in July & August of 2008 under the title "Solid, Very Solid, But Not Spectacular.")

9.

June 28, 2009: New Album Alert: I'M COMIN' BACK (CDS)

Bargain-Priced I'm Coming Back CD

Comparison-Priced I'm Comin' Back CD







If You Liked. . . You'll Love

If you liked Bob Dylan's beautiful ballad, "She Belongs To Me," you'll love Stan Mosley's "Rock Me (Until I Cannot Stand This Rocking Any More)."


Honorary "B" Side

"Anybody Seen My Boo"



5 Stars 5 Stars 5 Stars 5 Stars 5 Stars 
Sample or Buy Rock Me (Until I Cannot Stand This Rocking Any...) by Stan  Mosley
Rock Me (Until I Cannot Stand This Rocking Any...)


CD: The Soul Singer
Label: Malaco

Sample or Buy
The Soul Singer


5 Stars 5 Stars 5 Stars 5 Stars 5 Stars 
Sample or Buy Anybody Seen My Boo by Stan  Mosley
Anybody Seen My Boo


CD: Souled Out
Label: Malaco

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Souled Out


5 Stars 5 Stars 5 Stars 5 Stars 5 Stars 
Sample or Buy Man Up by Stan  Mosley
Man Up


CD: Man Up
Label: CDS

Sample or Buy
Man Up


4 Stars 4 Stars 4 Stars 4 Stars 
Sample or Buy Ain't No Woman by Stan  Mosley
Ain't No Woman


CD: Souled Out
Label: Malaco

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Souled Out


4 Stars 4 Stars 4 Stars 4 Stars 
Sample or Buy Backbone by Stan  Mosley
Backbone


CD: Man Up
Label: CDS

Sample or Buy
Man Up


4 Stars 4 Stars 4 Stars 4 Stars 
Sample or Buy Lockdown by Stan  Mosley
Lockdown


CD: I'm Comin' Back
Label: CDS

Sample or Buy
I'm Coming Back


4 Stars 4 Stars 4 Stars 4 Stars 
Sample or Buy No Mistake by Stan  Mosley
No Mistake


CD: Do Right
Label: Malaco

Sample or Buy
Do Right


4 Stars 4 Stars 4 Stars 4 Stars 
Sample or Buy You Gonna Make Me Cheat by Stan  Mosley
You Gonna Make Me Cheat


CD: Steppin' Out
Label: Double Duo

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Steppin' Out


3 Stars 3 Stars 3 Stars 
Sample or Buy Change (Family Reunion) by Stan  Mosley
Change (Family Reunion)


CD: I'm Comin' Back
Label: CDS

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I'm Coming Back


3 Stars 3 Stars 3 Stars 
Sample or Buy Do Right Woman, Do Right Man by Stan  Mosley
Do Right Woman, Do Right Man


CD: Do Right
Label: Malaco

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Do Right


3 Stars 3 Stars 3 Stars 
Sample or Buy I Came To Party by Stan  Mosley
I Came To Party


CD: Man Up
Label: CDS

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Man Up


3 Stars 3 Stars 3 Stars 
Sample or Buy I Want You by Stan  Mosley
I Want You


CD: Steppin' Out
Label: Double Duo

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Steppin' Out


3 Stars 3 Stars 3 Stars 
Sample or Buy Startin' 2 Stop by Stan  Mosley
Startin' 2 Stop


CD: Man Up
Label: CDS

Sample or Buy
Man Up


2 Stars 2 Stars 
Sample or Buy Juke Joint by Stan  Mosley
Juke Joint


CD: Good Stuff
Label: Mardi Gras

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Good Stuff


2 Stars 2 Stars 
Sample or Buy Makes You Wanna Cry by Stan  Mosley
Makes You Wanna Cry


CD: Celebration Of Blues
Label: Celebration Of Blues



2 Stars 2 Stars 
Sample or Buy Rockin' Slide by Stan  Mosley
Rockin' Slide


CD: Ultimate Southern Soul
Label: Mardi Gras

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Ultimate Southern Soul


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